Blue Complex poster
#8793 This Week

Blue Complex

Blue Complex  ·  2024, South Korea
6.8
3,197 ratings
40
Episodes
0
Watchlisted
● Completed 🕑 2024

After leaving diving behind due to a traumatic experience, Im Pa Rang, a former silver medalist, joins the university swimming team. There, he finds himself caught in a complex journey of love and self-discovery with…

Synopsis
Cast & Crew
Episodes
Reviews (5)

Im Pa Rang was once a silver medalist diver, but a devastating trauma—witnessing his mother’s suicide—left him unable to plunge into the water without reliving the pain. Now, in an attempt to reclaim his life, he joins his university’s swimming team. There, he meets the intense and brooding Lee Tae Min, a swimmer haunted by his own childhood wounds, and the warm, persistent Seong Yu Bin, who sees Pa Rang’s hidden fragility. As training sessions blur into late-night conversations and quiet moments by the pool, Pa Rang finds himself torn between two very different forms of affection—one reckless and magnetic, the other steadfast and healing. But time is running out: Pa Rang has secretly set a date to end his life on the anniversary of his mother’s death. This tender, vertically-shot micro-drama dives deep into grief, self-worth, and the quiet power of being seen. While the romance simmers slowly amid flashbacks and long gazes, the true heart of the series lies in its raw portrayal of depression and the fragile hope that connection can bring. A poignant watch for those who appreciate stories about healing over spectacle.

Ko Ho Jung photo
Ko Ho Jung
Cast
AL
Alwayz
Cast
RO
Romance
Cast
E01
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Blue Complex Episode 1
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6.8
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mermaid_tears
December 2024
8/10
I’m a sucker for drowning metaphors and sad boys finding each other, and Blue Complex delivered exactly that. The kiss scene was dark but so passionate—I rewatched it three times. Pa Rang and Tae Min’s chemistry made my heart ache. Yes, the love triangle irritated me (poor Yu Bin!), but the main couple’s quiet moments—the first aid, the piggyback ride—were everything. If you’re into angst with a hopeful thread, dive in.
CB
cinematic_bl_fan
January 2025
7/10
The vertical framing is a love-it-or-hate-it gamble. I actually appreciated the forced focus on faces and the way the pool’s blue tiles became a character themselves. But the lighting is a disaster—night scenes are muddy, and you lose actors’ expressions. The music was okay, a bit repetitive. Still, the visual metaphor of sinking and surface-breaking is beautifully done. I just wish they’d put the same care into lighting as they did into the emotional palette.
CC
cynical_couch_potato
March 2025
5/10
I get what they were trying to do, but the execution fell flat. Forty episodes of barely two minutes each means zero room for character development—the love triangle is a joke, and the ending feels rushed and unearned. Why does the ‘good guy’ Yu Bin get nothing? The whole suicide-prevention climax was resolved with a hug and a line. The acting was decent (Koh Ho Jung has potential), but the script overused ‘drowning’ metaphors until I rolled my eyes. Skip it unless you have a high tolerance for slow-burn nothingness.
SS
soundtrack_sleuth
February 2025
8/10
The background music is minimal but effective—there’s a soft piano motif that swells whenever Pa Rang is on the edge of breaking. It really anchored the emotional weight. I only wish they’d released an official OST; the ambient pool sounds and muffled echoes were almost ASMR-like. The theme song (if you can call the 30-second loop a song) grew on me after the tenth episode. Not a must-hear, but it fits the melancholic vibe perfectly.
SJ
social_justice_bl
April 2025
6/10
I appreciate the attempt to show suicidal ideation with nuance, but the narrative’s handling of consent in the relationship is muddled. Tae Min’s brusque, possessive behavior is never really addressed—Pa Rang’s trauma response reads more like codependence than healthy love. Yu Bin, the most emotionally mature character, is sidelined. The show seems to endorse ‘rescuing’ as love, which is a dangerous trope. Still, I’m glad they didn’t glamorize the suicide; the mother’s fleeting scene was heartbreakingly real.